"Rubber Soul (1987 Version)" > "Chart Facts", "How Many Records Did the Beatles Actually Sell? Der Mittwochabend mit der Beatles-Cover-Band „Rubber Soul“ war vieles zugleich: ein Jungbrunnen für die Älteren, eine Zeitreise für die Jüngeren und ein grandioses Fest für alle Freunde von Rock und Beat..“Bei „Rock And … at the Star-Club in Hamburg, Germany; 1962. [218] Recalling the album's popularity in the Haight-Ashbury district of San Francisco, where Jefferson Airplane were based,[320] journalist Charles Perry said: "You could party hop all night and hear nothing but Rubber Soul. from folk-rock and beyond". In 2000, it was voted at number 34 in the third edition of Colin Larkin's book All Time Top 1000 Albums. [300] Christopher Bray describes it as "the album that proved that rock and roll could be suitable for adult audiences", "the first long-playing pop record to really merit the term 'album'" and the LP that "turned pop music into high art". [309] According to Sculatti, Rubber Soul was "the definitive 'rock as art' album, revolutionary in that it was a completely successful creative endeavor integrating with precision all aspects of the creative (rock) process – composition of individual tracks done with extreme care, each track arranged appropriately to fit beside each other track, the symmetrical rock 'n' roll album". [254] In 2013, after the British Phonographic Industry altered its sales award protocol, the album was certified Platinum based on UK sales since 1994. [267] Turner adds that Rubber Soul "may have perplexed the old guard of entertainment correspondents, but it was a beacon for fledgling rock critics (as they would soon be called)". They can take care of all your CD/DVD replication requirements. After A Hard Day's Night in 1964, it was the second Beatles LP to contain only original material. [107] McCartney described its music as "very Motown-flavored", with a "feel" inspired by Motown bassist James Jamerson. "[161] The band completed the track on the final day of recording for the album, overdubbing tone-pedal lead guitar, percussion[162] and a new vocal by McCartney onto the June 1965 rhythm track. Rubber Soul is an album of change: new look, new sound, new instruments, new recording technique, a new state of mind. [81] Andrew Loog Oldham, the Rolling Stones' manager and producer at the time, has described Rubber Soul as "the album that changed the musical world we lived in then to the one we still live in today". Various artists were invited to take one of the songs from the "Rubber Soul" albun and do their own tribute to that song. [268][nb 18] Writing in Esquire in 1967, Robert Christgau called it "an album that for innovation, tightness, and lyrical intelligence was about twice as good as anything they or anyone else (except maybe the Stones) had done previously". [255], This article is about the 1965 album. Keeping up their pace of creativeness is quite fantastic. According to Riley, the album reflects "a new affection for recording" over live performance. [1] Writing in the Encyclopedia of Popular Music, Colin Larkin describes it as "not a collection of would-be hits or favourite cover versions … but a startlingly diverse collection, ranging from the pointed satire of 'Nowhere Man' to the intensely reflective 'In My Life'. The project marked a progression in the band's treatment of the album format as an artistic platform, an approach they continued to develop with Revolver and Sgt. [37] For the first time, in order to avoid having to promote the release with numerous television and radio appearances, the Beatles chose to produce film clips for the two songs. [20] In a 1966 press conference, Starr said they called the album Rubber Soul to acknowledge that, in comparison to American soul artists, "we are white and haven't got what they've got", and he added that this was true of all the British acts who attempted to play soul music. The unusual Rubber Soul album cover came to be when the slide … [197], The distinctive lettering was created by illustrator Charles Front,[198] who recalled that his inspiration was the album's title: "If you tap into a rubber tree then you get a sort of globule, so I started thinking of creating a shape that represented that, starting narrow and filling out. [175][nb 10] Performed in the country style,[174] it was the first track recorded for the album and features a descending guitar riff played by Harrison and slide guitar parts. "[341], In 2000, Rubber Soul was inducted into the Grammy Hall of Fame,[227] an award bestowed by the American Recording Academy "to honor recordings of lasting qualitative or historical significance that are at least 25 years old". [88], Music historian Bill Martin says that the release of Rubber Soul was a "turning point" for pop music, in that for the first time "the album rather than the song became the basic unit of artistic production. [326], Rubber Soul was voted fifth in Paul Gambaccini's 1978 book Critic's Choice: Top 200 Albums,[327] based on submissions from a panel of 47 critics and broadcasters including Richard Williams,[328] Christgau and Marcus. 1.First “Loud Cut” pressing. It was written by John Lennon and Paul McCartney, who later disagreed over the extent of their respective contributions to the song.Lennon credited the harmony and bridge to McCartney, while McCartney claimed the entire musical structure. [127] The lyrics focus on the concept of universal love as a path to spiritual enlightenment, with what Decker terms "proselytizing zeal" on the narrator's part. McGuinn later likened the exchange of ideas between British and American musicians during the mid 1960s to an "international code going back and forth through records". The band reacted favorably to the elongated photo and wanted that on the cover. "[215] The band's softer musical approach on the album and their use of nostalgic imagery increased their bond with their fans. In Gendron's view, "[The Beatles'] accreditory debt to Dylan and the folk rock movement was much less musical than it was discursive." Rubber Soul is the sixth studio album by the English rock band the Beatles. [139] The composition incorporates aspects of Greek folk music,[141] while the arrangement includes an instrumental passage set as a German two-step[142] and an acoustic guitar part played to sound like a Greek bouzouki. [287] Also writing in December 2015, in Rolling Stone, Sheffield especially admired the singing and the modern qualities of the female characters depicted in the lyrics. “Loud Cut” matrces: XEX 579-1 & XEX 580-1. [102] The narrative draws heavily on Dylan's style through its use of ambiguity. [182] Capitol sequenced "I've Just Seen a Face" as the opening track, reflecting the company's attempt to present Rubber Soul as a folk-rock album. In its final form, the song gained a middle eight where previously there had been a twelve-bar blues jam. [298] Music historian Simon Philo also sees it as heralding the experimentation that characterised late-1960s rock. It was the most out-there music they'd ever made, but also their warmest, friendliest and most emotionally direct. [33] The instrumental "12-Bar Original", a twelve-bar blues in the style of Booker T. & the M.G. [86] In particular, the relationships between the sexes moved from simpler boy-girl love songs to more nuanced and negative portrayals. ["The Word" is] all about gettin' smart. [252] According to figures published in 2009 by former Capitol executive David Kronemyer, further to estimates he gave in MuseWire magazine,[253] Rubber Soul sold 1,800,376 copies in America by the end of 1965 and 2,766,862 by the close of the decade. [288], Conversely, Jon Friedman of Esquire finds the work vastly overrated, with only the Lennon-dominated songs "Norwegian Wood", "Nowhere Man", "In My Life" and "Girl" worthy of praise, and he dismisses it as "dull" and "the Beatles' most inconsequential album". The lettering was designed by illustrator Charles Front that he had created himself with inspiration from the album title and a rubber tree. [89][90] Harrison, as the Beatles' most knowledgeable soul-music enthusiast, contributed heavily to the recording by suggesting they arrange the song with a dual guitar–bass riff in the style of Otis Redding's contemporary single "Respect". Rubber Soul was the album where the moptops grew up. All tracks are written by Lennon–McCartney except where noted. Pepper's Lonely Hearts Club Band. McCartney used a similar phrase – "Plastic soul, man, plastic soul". I may even get one for myself. rubber soul was one of our favorite beatle albums so the jacket cover picture on the tee shirt was perfect! [154][155] In Gould's description, the song "owed a conscious debt" to the Miracles' contemporary hit "The Tracks of My Tears" and thereby served as "the most recent installment in the lively cultural exchange between Motown's Hitsville Studios and EMI's Abbey Road". [332] It was listed at number 34 in the third edition of Larkin's All Time Top 1000 Albums, published in 2000. [131] Gould describes the performance as "sentimental … French cabaret" which, following McCartney's declaration of "I love you", leads into a guitar solo by Harrison that represents "one of Jean-Paul Sartre's existential café workers". But it's … Can you do it like that? According to Norman, at the time, the song "slipped unchallenged into a world not yet disturbed by feminism or concerns about domestic violence". [119] In Prendergast's description, the track "burst[s] forth with all the gusto of newly discovered psychedelia", as Lennon's lead vocal "luxuriates in an opiated haze of production and Harrison's Fender Stratocaster solo fuzzes with all the right hallucinatory sparkle". This is a regular feature where we examine the story behind the music and the cover artwork of a classic release from the past few decades. Even the cover was innovative, in part due to the fact that “we were full-fledged potheads,” as George Harrison mused. [286], In an article coinciding with the 50th anniversary of its release, for The Guardian, Bob Stanley lamented that Rubber Soul was often overlooked in appraisals of the Beatles' recording career, whereas Revolver and The Beatles had each gained in stature to surpass Sgt. [323] While music historians typically credit Sgt. We did spend more time on it and tried new things. [48][49] The Rickenbacker's design allowed for greater melodic precision, a characteristic that led McCartney to contribute more intricate bass lines. "[271], Writing in Paste, Mark Kemp says that the influence of Dylan and the Byrds seems overt at times but the album marks the start of the Beatles' peak in creativity and, in the context of 1965, offered "an unprecedented synthesis of elements [177], In keeping with the company's policy for the Beatles' albums in the United States, Capitol Records altered the content of Rubber Soul for its release there. [11][nb 1] According to music critic Tim Riley, Rubber Soul served as a "step toward a greater synthesis" of all the elements that throughout 1965 represented a "major rock 'n' roll explosion", rather than just the emergence of folk rock. "[263], The writers of Record Mirror's initial review found the LP lacking some of the variety of the group's previous releases but also said: "one marvels and wonders at the constant stream of melodic ingenuity stemming from the boys, both as performers and composers. [149] Gould describes it as the "disillusioned sequel" to McCartney's other 1965 songs centring on "a face-to-face (if not necessarily eye-to-eye) encounter between two lovers". Giving the album the title of Rubber Soul was intended as a pun where The Beatles were trying to combine the falseness that was connected to pop music at the time and rubber-soled shoes. [235][236][237] Everett writes that in the US the album's "hit" was "Michelle", through its popularity on radio playlists. [209] In the United States, Rubber Soul was their tenth album[210] and their first to consist entirely of original songs. It produced many hit singles including “Michelle,” “Norwegian Wood (The Bird Has Flown),” and “Nowhere Man.” Depending on what market you lived in, the tracklisting differed slightly. Junges Gotteslob Lieder Zum Ausdrucken, Wann Wird Es Wieder Wärmer 2020, Direkte Demokratie Schweiz, Miracle Deutsch Songtext, Text Auf Produkten 10 Buchstaben, Buchsbaumzünsler Schmetterling Bekämpfen, Spieluhr Sigikid Bär, Anne-marie Kot Wikipedia, Unterschiede Zwischen Mittelalter Und Neuzeit, Berühmte Gemälde Nachstellen Corona, " /> "Rubber Soul (1987 Version)" > "Chart Facts", "How Many Records Did the Beatles Actually Sell? Der Mittwochabend mit der Beatles-Cover-Band „Rubber Soul“ war vieles zugleich: ein Jungbrunnen für die Älteren, eine Zeitreise für die Jüngeren und ein grandioses Fest für alle Freunde von Rock und Beat..“Bei „Rock And … at the Star-Club in Hamburg, Germany; 1962. [218] Recalling the album's popularity in the Haight-Ashbury district of San Francisco, where Jefferson Airplane were based,[320] journalist Charles Perry said: "You could party hop all night and hear nothing but Rubber Soul. from folk-rock and beyond". In 2000, it was voted at number 34 in the third edition of Colin Larkin's book All Time Top 1000 Albums. [300] Christopher Bray describes it as "the album that proved that rock and roll could be suitable for adult audiences", "the first long-playing pop record to really merit the term 'album'" and the LP that "turned pop music into high art". [309] According to Sculatti, Rubber Soul was "the definitive 'rock as art' album, revolutionary in that it was a completely successful creative endeavor integrating with precision all aspects of the creative (rock) process – composition of individual tracks done with extreme care, each track arranged appropriately to fit beside each other track, the symmetrical rock 'n' roll album". [254] In 2013, after the British Phonographic Industry altered its sales award protocol, the album was certified Platinum based on UK sales since 1994. [267] Turner adds that Rubber Soul "may have perplexed the old guard of entertainment correspondents, but it was a beacon for fledgling rock critics (as they would soon be called)". They can take care of all your CD/DVD replication requirements. After A Hard Day's Night in 1964, it was the second Beatles LP to contain only original material. [107] McCartney described its music as "very Motown-flavored", with a "feel" inspired by Motown bassist James Jamerson. "[161] The band completed the track on the final day of recording for the album, overdubbing tone-pedal lead guitar, percussion[162] and a new vocal by McCartney onto the June 1965 rhythm track. Rubber Soul is an album of change: new look, new sound, new instruments, new recording technique, a new state of mind. [81] Andrew Loog Oldham, the Rolling Stones' manager and producer at the time, has described Rubber Soul as "the album that changed the musical world we lived in then to the one we still live in today". Various artists were invited to take one of the songs from the "Rubber Soul" albun and do their own tribute to that song. [268][nb 18] Writing in Esquire in 1967, Robert Christgau called it "an album that for innovation, tightness, and lyrical intelligence was about twice as good as anything they or anyone else (except maybe the Stones) had done previously". [255], This article is about the 1965 album. Keeping up their pace of creativeness is quite fantastic. According to Riley, the album reflects "a new affection for recording" over live performance. [1] Writing in the Encyclopedia of Popular Music, Colin Larkin describes it as "not a collection of would-be hits or favourite cover versions … but a startlingly diverse collection, ranging from the pointed satire of 'Nowhere Man' to the intensely reflective 'In My Life'. The project marked a progression in the band's treatment of the album format as an artistic platform, an approach they continued to develop with Revolver and Sgt. [37] For the first time, in order to avoid having to promote the release with numerous television and radio appearances, the Beatles chose to produce film clips for the two songs. [20] In a 1966 press conference, Starr said they called the album Rubber Soul to acknowledge that, in comparison to American soul artists, "we are white and haven't got what they've got", and he added that this was true of all the British acts who attempted to play soul music. The unusual Rubber Soul album cover came to be when the slide … [197], The distinctive lettering was created by illustrator Charles Front,[198] who recalled that his inspiration was the album's title: "If you tap into a rubber tree then you get a sort of globule, so I started thinking of creating a shape that represented that, starting narrow and filling out. [175][nb 10] Performed in the country style,[174] it was the first track recorded for the album and features a descending guitar riff played by Harrison and slide guitar parts. "[341], In 2000, Rubber Soul was inducted into the Grammy Hall of Fame,[227] an award bestowed by the American Recording Academy "to honor recordings of lasting qualitative or historical significance that are at least 25 years old". [88], Music historian Bill Martin says that the release of Rubber Soul was a "turning point" for pop music, in that for the first time "the album rather than the song became the basic unit of artistic production. [326], Rubber Soul was voted fifth in Paul Gambaccini's 1978 book Critic's Choice: Top 200 Albums,[327] based on submissions from a panel of 47 critics and broadcasters including Richard Williams,[328] Christgau and Marcus. 1.First “Loud Cut” pressing. It was written by John Lennon and Paul McCartney, who later disagreed over the extent of their respective contributions to the song.Lennon credited the harmony and bridge to McCartney, while McCartney claimed the entire musical structure. [127] The lyrics focus on the concept of universal love as a path to spiritual enlightenment, with what Decker terms "proselytizing zeal" on the narrator's part. McGuinn later likened the exchange of ideas between British and American musicians during the mid 1960s to an "international code going back and forth through records". The band reacted favorably to the elongated photo and wanted that on the cover. "[215] The band's softer musical approach on the album and their use of nostalgic imagery increased their bond with their fans. In Gendron's view, "[The Beatles'] accreditory debt to Dylan and the folk rock movement was much less musical than it was discursive." Rubber Soul is the sixth studio album by the English rock band the Beatles. [139] The composition incorporates aspects of Greek folk music,[141] while the arrangement includes an instrumental passage set as a German two-step[142] and an acoustic guitar part played to sound like a Greek bouzouki. [287] Also writing in December 2015, in Rolling Stone, Sheffield especially admired the singing and the modern qualities of the female characters depicted in the lyrics. “Loud Cut” matrces: XEX 579-1 & XEX 580-1. [102] The narrative draws heavily on Dylan's style through its use of ambiguity. [182] Capitol sequenced "I've Just Seen a Face" as the opening track, reflecting the company's attempt to present Rubber Soul as a folk-rock album. In its final form, the song gained a middle eight where previously there had been a twelve-bar blues jam. [298] Music historian Simon Philo also sees it as heralding the experimentation that characterised late-1960s rock. It was the most out-there music they'd ever made, but also their warmest, friendliest and most emotionally direct. [33] The instrumental "12-Bar Original", a twelve-bar blues in the style of Booker T. & the M.G. [86] In particular, the relationships between the sexes moved from simpler boy-girl love songs to more nuanced and negative portrayals. ["The Word" is] all about gettin' smart. [252] According to figures published in 2009 by former Capitol executive David Kronemyer, further to estimates he gave in MuseWire magazine,[253] Rubber Soul sold 1,800,376 copies in America by the end of 1965 and 2,766,862 by the close of the decade. [288], Conversely, Jon Friedman of Esquire finds the work vastly overrated, with only the Lennon-dominated songs "Norwegian Wood", "Nowhere Man", "In My Life" and "Girl" worthy of praise, and he dismisses it as "dull" and "the Beatles' most inconsequential album". The lettering was designed by illustrator Charles Front that he had created himself with inspiration from the album title and a rubber tree. [89][90] Harrison, as the Beatles' most knowledgeable soul-music enthusiast, contributed heavily to the recording by suggesting they arrange the song with a dual guitar–bass riff in the style of Otis Redding's contemporary single "Respect". Rubber Soul was the album where the moptops grew up. All tracks are written by Lennon–McCartney except where noted. Pepper's Lonely Hearts Club Band. McCartney used a similar phrase – "Plastic soul, man, plastic soul". I may even get one for myself. rubber soul was one of our favorite beatle albums so the jacket cover picture on the tee shirt was perfect! [154][155] In Gould's description, the song "owed a conscious debt" to the Miracles' contemporary hit "The Tracks of My Tears" and thereby served as "the most recent installment in the lively cultural exchange between Motown's Hitsville Studios and EMI's Abbey Road". [332] It was listed at number 34 in the third edition of Larkin's All Time Top 1000 Albums, published in 2000. [131] Gould describes the performance as "sentimental … French cabaret" which, following McCartney's declaration of "I love you", leads into a guitar solo by Harrison that represents "one of Jean-Paul Sartre's existential café workers". But it's … Can you do it like that? According to Norman, at the time, the song "slipped unchallenged into a world not yet disturbed by feminism or concerns about domestic violence". [119] In Prendergast's description, the track "burst[s] forth with all the gusto of newly discovered psychedelia", as Lennon's lead vocal "luxuriates in an opiated haze of production and Harrison's Fender Stratocaster solo fuzzes with all the right hallucinatory sparkle". This is a regular feature where we examine the story behind the music and the cover artwork of a classic release from the past few decades. Even the cover was innovative, in part due to the fact that “we were full-fledged potheads,” as George Harrison mused. [286], In an article coinciding with the 50th anniversary of its release, for The Guardian, Bob Stanley lamented that Rubber Soul was often overlooked in appraisals of the Beatles' recording career, whereas Revolver and The Beatles had each gained in stature to surpass Sgt. [323] While music historians typically credit Sgt. We did spend more time on it and tried new things. [48][49] The Rickenbacker's design allowed for greater melodic precision, a characteristic that led McCartney to contribute more intricate bass lines. "[271], Writing in Paste, Mark Kemp says that the influence of Dylan and the Byrds seems overt at times but the album marks the start of the Beatles' peak in creativity and, in the context of 1965, offered "an unprecedented synthesis of elements [177], In keeping with the company's policy for the Beatles' albums in the United States, Capitol Records altered the content of Rubber Soul for its release there. [11][nb 1] According to music critic Tim Riley, Rubber Soul served as a "step toward a greater synthesis" of all the elements that throughout 1965 represented a "major rock 'n' roll explosion", rather than just the emergence of folk rock. "[263], The writers of Record Mirror's initial review found the LP lacking some of the variety of the group's previous releases but also said: "one marvels and wonders at the constant stream of melodic ingenuity stemming from the boys, both as performers and composers. [149] Gould describes it as the "disillusioned sequel" to McCartney's other 1965 songs centring on "a face-to-face (if not necessarily eye-to-eye) encounter between two lovers". Giving the album the title of Rubber Soul was intended as a pun where The Beatles were trying to combine the falseness that was connected to pop music at the time and rubber-soled shoes. [235][236][237] Everett writes that in the US the album's "hit" was "Michelle", through its popularity on radio playlists. [209] In the United States, Rubber Soul was their tenth album[210] and their first to consist entirely of original songs. It produced many hit singles including “Michelle,” “Norwegian Wood (The Bird Has Flown),” and “Nowhere Man.” Depending on what market you lived in, the tracklisting differed slightly. Junges Gotteslob Lieder Zum Ausdrucken, Wann Wird Es Wieder Wärmer 2020, Direkte Demokratie Schweiz, Miracle Deutsch Songtext, Text Auf Produkten 10 Buchstaben, Buchsbaumzünsler Schmetterling Bekämpfen, Spieluhr Sigikid Bär, Anne-marie Kot Wikipedia, Unterschiede Zwischen Mittelalter Und Neuzeit, Berühmte Gemälde Nachstellen Corona, " />

rubber soul cover

Buy Rubber Soul. [71][nb 4] This also manifested in a struggle over which song should be the A-side of their next single, with Lennon insisting on "Day Tripper" (of which he was the primary writer)[74] and publicly contradicting EMI's announcement about the upcoming release. '"[148], Like "You Won't See Me" and "We Can Work It Out", "I'm Looking Through You" focuses on McCartney's troubled relationship with Asher. Beatles Rubber Soul Album Cover Print. [229], In a September 1966 review of Revolver, KRLA Beat said that the title of Rubber Soul had "become a standard phrase used to describe a creation of exceptional excellence in the field of music", such that several highly regarded releases had since earned the description "a 'Rubber Soul in its field'". The title derives from the colloquialism "plastic soul" and was the Beatles' way of acknowledging their lack of authenticity compared to the African-American soul artists they admired. Rubber Soul - The Cover Photo Uncropped and Undistorted An amazing picture of The Beatles has just surfaced which appears to be the photo taken by Robert Freeman that was used for the Rubber Soul album cover. In many of the cases the artists seem to follow the original idea and sound that … [266] Author Steve Turner also highlights the comments made by the Melody Maker and Record Mirror reviewers, who were typically aged over 30, as indicative of how UK pop journalists lacked "the critical vocabulary" and "the broad musical perspective" to recognise or engage with progressive music. [178][179] They removed four songs from the running order – "Drive My Car", "Nowhere Man", "What Goes On" and "If I Needed Someone" – all of which were instead issued on the Beatles' next North American album, Yesterday and Today, in June 1966. Beatles Rubber Soul album cover Music Album Cover Silk Poster 24x24inch-60x60cm Unframe ALBUMTT. View credits, reviews, tracks and shop for the 1966 Sandwich cover Vinyl release of Rubber Soul on Discogs. [21] During the sessions, the Beatles typically focused on fine-tuning the musical arrangement for each song, an approach that reflected the growing division between the band as a live act and their ambitions as recording artists. It has been recognised by music critics as an album that opened up the possibilities of pop music in terms of lyrical and musical scope, and as a key work in the creation of styles such as psychedelia and progressive rock. [231] The album was number 1 for six weeks in total; it remained in the top twenty until the start of July, before leaving the chart in mid December. [23] Martin later described Rubber Soul as "the first album to present a new, growing Beatles to the world",[24] adding: "For the first time we began to think of albums as art on their own, as complete entities. [293] According to Steve Turner, by galvanising the Beatles' most ambitious rivals in Britain and America, Rubber Soul launched "the pop equivalent of an arms race". [132], The Beatles had attempted to record an early version of Lennon's "What Goes On" in 1963. [281] In his 1979 essay on the Beatles in The Rolling Stone Illustrated History of Rock & Roll, Marcus wrote: "Rubber Soul was an album made as an album; with the exception of 'Michelle' (which, to be fair, paid the bills for years to come), every cut was an inspiration, something new and remarkable in and of itself. [299] In a 1968 article on the Beach Boys, Gene Sculatti of Jazz & Pop recognised Rubber Soul as the model for Pet Sounds and Aftermath, as well as "the necessary prototype that no major rock group has been able to ignore". [104], Written by McCartney, "You Won't See Me" reflects the difficulties he was experiencing in his relationship with actress Jane Asher due to her refusal to put her acting career second to his needs. [40][41] Among the few interruptions to the intensive recording period for the album, the Beatles received their MBEs at Buckingham Palace on 26 October, from Queen Elizabeth II. [30], As the band's main writers, Lennon and Paul McCartney struggled to complete enough songs for the project. [255], Critical response to Rubber Soul was highly favourable. Rubber Soul made it to #1 as soon as it was released. [53] In this way, the Beatles used the recording studio as a musical instrument, an approach that they and Martin developed further with Revolver. [97] The lyrics sketch a failed meeting between the singer and a mysterious girl, where she goes to bed and he sleeps in the bath. Dual singles are on the rise, and here's why", The Beatles: Eight Days a Week – The Touring Years, "The Beatles: Every album and single, with its chart position", "Rubber Soul" > "Rubber Soul (1987 Version)" > "Chart Facts", "How Many Records Did the Beatles Actually Sell? Der Mittwochabend mit der Beatles-Cover-Band „Rubber Soul“ war vieles zugleich: ein Jungbrunnen für die Älteren, eine Zeitreise für die Jüngeren und ein grandioses Fest für alle Freunde von Rock und Beat..“Bei „Rock And … at the Star-Club in Hamburg, Germany; 1962. [218] Recalling the album's popularity in the Haight-Ashbury district of San Francisco, where Jefferson Airplane were based,[320] journalist Charles Perry said: "You could party hop all night and hear nothing but Rubber Soul. from folk-rock and beyond". In 2000, it was voted at number 34 in the third edition of Colin Larkin's book All Time Top 1000 Albums. [300] Christopher Bray describes it as "the album that proved that rock and roll could be suitable for adult audiences", "the first long-playing pop record to really merit the term 'album'" and the LP that "turned pop music into high art". [309] According to Sculatti, Rubber Soul was "the definitive 'rock as art' album, revolutionary in that it was a completely successful creative endeavor integrating with precision all aspects of the creative (rock) process – composition of individual tracks done with extreme care, each track arranged appropriately to fit beside each other track, the symmetrical rock 'n' roll album". [254] In 2013, after the British Phonographic Industry altered its sales award protocol, the album was certified Platinum based on UK sales since 1994. [267] Turner adds that Rubber Soul "may have perplexed the old guard of entertainment correspondents, but it was a beacon for fledgling rock critics (as they would soon be called)". They can take care of all your CD/DVD replication requirements. After A Hard Day's Night in 1964, it was the second Beatles LP to contain only original material. [107] McCartney described its music as "very Motown-flavored", with a "feel" inspired by Motown bassist James Jamerson. "[161] The band completed the track on the final day of recording for the album, overdubbing tone-pedal lead guitar, percussion[162] and a new vocal by McCartney onto the June 1965 rhythm track. Rubber Soul is an album of change: new look, new sound, new instruments, new recording technique, a new state of mind. [81] Andrew Loog Oldham, the Rolling Stones' manager and producer at the time, has described Rubber Soul as "the album that changed the musical world we lived in then to the one we still live in today". Various artists were invited to take one of the songs from the "Rubber Soul" albun and do their own tribute to that song. [268][nb 18] Writing in Esquire in 1967, Robert Christgau called it "an album that for innovation, tightness, and lyrical intelligence was about twice as good as anything they or anyone else (except maybe the Stones) had done previously". [255], This article is about the 1965 album. Keeping up their pace of creativeness is quite fantastic. According to Riley, the album reflects "a new affection for recording" over live performance. [1] Writing in the Encyclopedia of Popular Music, Colin Larkin describes it as "not a collection of would-be hits or favourite cover versions … but a startlingly diverse collection, ranging from the pointed satire of 'Nowhere Man' to the intensely reflective 'In My Life'. The project marked a progression in the band's treatment of the album format as an artistic platform, an approach they continued to develop with Revolver and Sgt. [37] For the first time, in order to avoid having to promote the release with numerous television and radio appearances, the Beatles chose to produce film clips for the two songs. [20] In a 1966 press conference, Starr said they called the album Rubber Soul to acknowledge that, in comparison to American soul artists, "we are white and haven't got what they've got", and he added that this was true of all the British acts who attempted to play soul music. The unusual Rubber Soul album cover came to be when the slide … [197], The distinctive lettering was created by illustrator Charles Front,[198] who recalled that his inspiration was the album's title: "If you tap into a rubber tree then you get a sort of globule, so I started thinking of creating a shape that represented that, starting narrow and filling out. [175][nb 10] Performed in the country style,[174] it was the first track recorded for the album and features a descending guitar riff played by Harrison and slide guitar parts. "[341], In 2000, Rubber Soul was inducted into the Grammy Hall of Fame,[227] an award bestowed by the American Recording Academy "to honor recordings of lasting qualitative or historical significance that are at least 25 years old". [88], Music historian Bill Martin says that the release of Rubber Soul was a "turning point" for pop music, in that for the first time "the album rather than the song became the basic unit of artistic production. [326], Rubber Soul was voted fifth in Paul Gambaccini's 1978 book Critic's Choice: Top 200 Albums,[327] based on submissions from a panel of 47 critics and broadcasters including Richard Williams,[328] Christgau and Marcus. 1.First “Loud Cut” pressing. It was written by John Lennon and Paul McCartney, who later disagreed over the extent of their respective contributions to the song.Lennon credited the harmony and bridge to McCartney, while McCartney claimed the entire musical structure. [127] The lyrics focus on the concept of universal love as a path to spiritual enlightenment, with what Decker terms "proselytizing zeal" on the narrator's part. McGuinn later likened the exchange of ideas between British and American musicians during the mid 1960s to an "international code going back and forth through records". The band reacted favorably to the elongated photo and wanted that on the cover. "[215] The band's softer musical approach on the album and their use of nostalgic imagery increased their bond with their fans. In Gendron's view, "[The Beatles'] accreditory debt to Dylan and the folk rock movement was much less musical than it was discursive." Rubber Soul is the sixth studio album by the English rock band the Beatles. [139] The composition incorporates aspects of Greek folk music,[141] while the arrangement includes an instrumental passage set as a German two-step[142] and an acoustic guitar part played to sound like a Greek bouzouki. [287] Also writing in December 2015, in Rolling Stone, Sheffield especially admired the singing and the modern qualities of the female characters depicted in the lyrics. “Loud Cut” matrces: XEX 579-1 & XEX 580-1. [102] The narrative draws heavily on Dylan's style through its use of ambiguity. [182] Capitol sequenced "I've Just Seen a Face" as the opening track, reflecting the company's attempt to present Rubber Soul as a folk-rock album. In its final form, the song gained a middle eight where previously there had been a twelve-bar blues jam. [298] Music historian Simon Philo also sees it as heralding the experimentation that characterised late-1960s rock. It was the most out-there music they'd ever made, but also their warmest, friendliest and most emotionally direct. [33] The instrumental "12-Bar Original", a twelve-bar blues in the style of Booker T. & the M.G. [86] In particular, the relationships between the sexes moved from simpler boy-girl love songs to more nuanced and negative portrayals. ["The Word" is] all about gettin' smart. [252] According to figures published in 2009 by former Capitol executive David Kronemyer, further to estimates he gave in MuseWire magazine,[253] Rubber Soul sold 1,800,376 copies in America by the end of 1965 and 2,766,862 by the close of the decade. [288], Conversely, Jon Friedman of Esquire finds the work vastly overrated, with only the Lennon-dominated songs "Norwegian Wood", "Nowhere Man", "In My Life" and "Girl" worthy of praise, and he dismisses it as "dull" and "the Beatles' most inconsequential album". The lettering was designed by illustrator Charles Front that he had created himself with inspiration from the album title and a rubber tree. [89][90] Harrison, as the Beatles' most knowledgeable soul-music enthusiast, contributed heavily to the recording by suggesting they arrange the song with a dual guitar–bass riff in the style of Otis Redding's contemporary single "Respect". Rubber Soul was the album where the moptops grew up. All tracks are written by Lennon–McCartney except where noted. Pepper's Lonely Hearts Club Band. McCartney used a similar phrase – "Plastic soul, man, plastic soul". I may even get one for myself. rubber soul was one of our favorite beatle albums so the jacket cover picture on the tee shirt was perfect! [154][155] In Gould's description, the song "owed a conscious debt" to the Miracles' contemporary hit "The Tracks of My Tears" and thereby served as "the most recent installment in the lively cultural exchange between Motown's Hitsville Studios and EMI's Abbey Road". [332] It was listed at number 34 in the third edition of Larkin's All Time Top 1000 Albums, published in 2000. [131] Gould describes the performance as "sentimental … French cabaret" which, following McCartney's declaration of "I love you", leads into a guitar solo by Harrison that represents "one of Jean-Paul Sartre's existential café workers". But it's … Can you do it like that? According to Norman, at the time, the song "slipped unchallenged into a world not yet disturbed by feminism or concerns about domestic violence". [119] In Prendergast's description, the track "burst[s] forth with all the gusto of newly discovered psychedelia", as Lennon's lead vocal "luxuriates in an opiated haze of production and Harrison's Fender Stratocaster solo fuzzes with all the right hallucinatory sparkle". This is a regular feature where we examine the story behind the music and the cover artwork of a classic release from the past few decades. Even the cover was innovative, in part due to the fact that “we were full-fledged potheads,” as George Harrison mused. [286], In an article coinciding with the 50th anniversary of its release, for The Guardian, Bob Stanley lamented that Rubber Soul was often overlooked in appraisals of the Beatles' recording career, whereas Revolver and The Beatles had each gained in stature to surpass Sgt. [323] While music historians typically credit Sgt. We did spend more time on it and tried new things. [48][49] The Rickenbacker's design allowed for greater melodic precision, a characteristic that led McCartney to contribute more intricate bass lines. "[271], Writing in Paste, Mark Kemp says that the influence of Dylan and the Byrds seems overt at times but the album marks the start of the Beatles' peak in creativity and, in the context of 1965, offered "an unprecedented synthesis of elements [177], In keeping with the company's policy for the Beatles' albums in the United States, Capitol Records altered the content of Rubber Soul for its release there. [11][nb 1] According to music critic Tim Riley, Rubber Soul served as a "step toward a greater synthesis" of all the elements that throughout 1965 represented a "major rock 'n' roll explosion", rather than just the emergence of folk rock. "[263], The writers of Record Mirror's initial review found the LP lacking some of the variety of the group's previous releases but also said: "one marvels and wonders at the constant stream of melodic ingenuity stemming from the boys, both as performers and composers. [149] Gould describes it as the "disillusioned sequel" to McCartney's other 1965 songs centring on "a face-to-face (if not necessarily eye-to-eye) encounter between two lovers". Giving the album the title of Rubber Soul was intended as a pun where The Beatles were trying to combine the falseness that was connected to pop music at the time and rubber-soled shoes. [235][236][237] Everett writes that in the US the album's "hit" was "Michelle", through its popularity on radio playlists. [209] In the United States, Rubber Soul was their tenth album[210] and their first to consist entirely of original songs. It produced many hit singles including “Michelle,” “Norwegian Wood (The Bird Has Flown),” and “Nowhere Man.” Depending on what market you lived in, the tracklisting differed slightly.

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